Saturday, March 18, 2006

I'm gonna write a soap opera and you're going to be the heroine

Soap Opera


I always figured I'd grow up and be some kind of Madison Avenue type. I liked their style in the movies. They seemed to have the prettiest wives -- or the hippest bachelor pads if they weren't married.

And, from my studies in front of the television, I knew that Mad Ave types had more sophisticated ways of dealing with sticky interpersonal entanglements -- and particularly creative and craftful ways of dealing with situations that might see the less sophisticated resorting to insult, invective, or even violence.

What better way, I always thought, of doling out a little comeuppance than to put a troublesome ex-love or a friend who has betrayed you smack in the middle of his or her own soap opera, you know, a real TV soap opera. Finally a chance to argue it all out before the court of public opinion -- all, of course, without the ex-friend's input, which would only get in the way of the poetic truth of the situation.


A note on today's song: Today's entry is a bit different. It's still highly informal, but it's more a full band demo for a possible project.

[revised mix posted Sunday, 2006-03-19 23:30 UTC]

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I'm Gonna Write a Soap Opera

I'm gonna write a soap opera
you're gonna be the heroine
I'm gonna show the world just how ya think
I'm gonna write a soap opera
I won't have to make up a thing
When we get the ratings back
you know I'll take you out for a drink

I'll get a famous model
to play your part for you
I was gonna ask you but you're always busy
We'll get a famous model
I know she'll do real good, too
When the plot gets thick
She'll be skinny enough to wriggle through

I'm gonna sell the rights
everywhere I can
there'll be games and dolls and underwear
I'm gonna sell the rights
I suggest you buy up while you can
I said I'd make you famous
I think by now you understand

(C)1990, TK Major

Friday, March 17, 2006

The root of all evil... [The Gospel of Greed]

XXXXX




There's enlightened self-interest.

And then there's greed.

If you imagined that there was a self-interest organ (and I think they have found a brain chemical that correlates to aquisitiveness) then greed would be like a viral infection of that organ, pumping out more toxins that further inflame the organ, weakening it, and allowing the viral infection to proceed.

Anyhow... I think the metaphor/simile section of my brain is inflamed.

As I explained when I posted the previous version of this song, it was smack dab in the middle of the Greed Is Good Era that this song was written. It should be noted that I'm a businessman, myself, and don't think there's anything wrong with making money in fair transactions. I think sensible self-interest is good. It's what separates the ants from the grasshoppers, I guess.

That said, there's nothing I like better than doin' a little fiddlin' on a late autumn afternoon.

Metaphorically speaking.




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Gospel of Greed

It's the Gospel of Greed
used to call it the Age of Me
but it isn't just I
Honey, it's them and thee

Now it's natural to want to
take care of yourself
but when you take too much
you steal from someone else

and if you think they're gonna take it lying down
you must be some kinda politician or TV-preacher clown
riding around in your Mercedes Benz
givin money to hookers and screwing your friends

(You're singing)
I don't care if the Eskimos freeze
long as they don't sneeze on me
I don't care if the starving survive
long as they don't try to make a feast of a slice of my pie

(C)1990, TK Major

Thursday, March 16, 2006

Let's not talk about lonely nights [Let's Not Talk About Girls]

Let's Not Talk About Girls

This song sprung out of conversation and, of course, is also a reference to the Chocoloate Watchband song, "Let's Talk About Girls."

It was originally much longer and more overtly tongue in cheek... it started feeling like a fraternity drinking song toward the end.

This much shortened version is less overtly jokey. I sort of wanted something that could be taken a few ways. The problem with jokes in songs is that once you've heard the joke, you pretty much don't care to hear the song again. (Well, I don't.)



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Let's Not Talk About Girls

let's not talk about lonely nights
or waiting for her to come home
we all know what it's like
don't think that your'e all alone

let's not talk about girls
let's not talk about broken hearts
let's not talk about love and
how love can tear you apart

let's not talk about togetherness
hearth home or family
let's not talk about how it all falls apart
for all the world to see

let's not talk about girls
let's not talk about broken hearts
let's not talk about love and
how love can tear you apart

(C)1980, TK Major

Wednesday, March 15, 2006

Having fun all night long, having fun all through the day...

Having Fun


I was infatuated with the notion of starting my own religion when I was in my very early twenties.

It just seemed like something anyone who was anybody was going to be doing.

I was convinced that all a potential avatar needed was a good hook concept to wrap around some classic self-help techniques.

Obviously, I wasn't the only one thinking along those lines.


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Having Fun

There's a startling new religion
sweeping through the subdivisions
Having Fun is what they call it
Soon you'll be a Fun-a-holic

Well, there isn't any priesthood
doctrine's anything that feel's good
It's the one true religion
There'll be no more revisions

Having Fun (on the job)
Having Fun (while at play)
Having Fun (all night long)
Having Fun (all through the day)


Well, we're all upon a journey
going back unto the Funhead
When we finally arrive there
we'll have all the Fun we wanted

There are some say Fun is boring
but to them I'll give this warning
Have Fun while there's time
because the Fun stops when you die

Having Fun (on the job)
Having Fun (while at play)
Having Fun (all night long)
Having Fun (all through the day)

Having Fun
Having Fun
Having Fun

(C)1980, TK Major

Tuesday, March 14, 2006

This ocean's just a tear...[Forget Her Eyes]

Swim or Die

He had these big skindiver fins. A lot of the other bodysurfers used duck feet, which were shorter and stiffer, more maneuverable. His weren't that great for turning and jumping in a wave, but they had a lot of power.

That summer, Pacific storms drove in huge waves in long sets and he'd swim way out, until the people on the beach were specks, more than a quarter mile away. It was a long pier, almost a thousand feet, and sometimes he would go way past the end, maybe double its length.

Often, he'd be turned back or offered "a ride" by Coast Guard patrol boats. He never took them up on it. Once they insisted.

But at night you were on your own.

It wasn't that he set out to see how far out he could get -- on the contrary, he often worried that he was growing too complacent as he let the seemingly ever present undertow pull him to the "way outside breaks."

Swimming out was generally a breeze -- particularly if you knew where the outflow channels formed. Swimming in, on the other hand, could, at times, be grueling work. More than a few times he warily measured his progress against the pier and noticed he was actually moving backwards even as he swam forward. That was often a signal to swim laterally to escape a local outflow.

Swimming in could take as much as 45 minutes or an hour or more. It was hard work but a good chance to think. And it was good discipline. If you got lazy, you were drawn out to sea. If you found yourself musing about how vulnerable you were, started imagining the sea predators that might be swimming, unseen within feet of you, you might panic.

Once, when he was about 3/4 of the length of the pier out and coming in, he did feel something fairly massive bump into his leg. He continued his steady pace, but his heart was pounding. He steadied himself by fixing his mind on keeping his stroke and kick steady, forcing out any conjecture as to the nature of whatever had bumped into him.

When he was "safe" inside the ring of shore surf, he allowed himself to imagine that it was probably a sea lion. He'd seen sea lions often enough playing in the waves along the shore. It wouldn't surprise him that a sea lion might be curious about a swimmer so far out.

His heart was still beating hard when he caught a couple of waves taking him straight into shore. He rode the second in until he was in such shallow water he had to push himself up out of the water with his hands, like a calisthenic.

He finally allowed himself to look over his shoulder.

But all he saw was the dark, choppy sea.


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Swim or Die

forget her eyes forget her voice
forget her soft caress
she's just some phony made up girl
up inside your lonely head

forget the night that could have been
the time that never was
forget the dreams that turned to lies
then crumbled into dust

swim or die
it's understood
I know just what to do
swim or die
it sounds- so - good
if I could only move

the waters cold
the moon is pale
the lights sparkle on the pier
the musics faint & far away
the ocean's like a mirror

I see myself for what I am
it all becomes so clear
just a wave upon the sea
and this ocean's just a tear


swim or die
it's understood
I know just what to do
swim or die
it sounds- so - good
if I could only move

(C)1996, TK Major


The vignette above the song is actually autobiographical. It was the summer of 1969, a summer of fabled surf. I was body surfing after work, usually out from 15th Street in Newport Beach.
Swim or Die

You can see the Newport pier (the Balboa pier is out of range to the right). That's at 21st street. The end is approximately 800 feet out from the shoreline in this photo, as I figure it. If you look carefully, you can see a building with restrooms and showers on the beach at 15th street. Around 13th or so is a complex of handball and basketball courts on the beach, near a school. It's a very wide beach.

On getting offered "rides" back in by the Coast Guard, I always declined, thinking about it looking supremely uncool to be brought back to shore or up to the pier in the CG boat. The one time they were insistent. I figured they were the pros so I got in. There was another guy they picked up out there and he looked a bit relieved.

I had the idea in those days that the Coast Guard were like bears when you were camping. They could be all powerful, but if you were careful and treated them with respect and common sense, you could usually stay out of trouble with them.

After work or on my day off (flipping burgers at a joint by the pier) you would usually find me in the ocean off 17th street (for most of that summer, although the breaks shifted radically in the wake of the storms) or lounging on the beach.

And then I went [away, I want to say away even though I still lived in the same place and went to college only about a mile from the ocean, but it really felt, at the end of that summer, like I was going away] to college -- and ruined it all.

And finally -- this is REAL Don't try this at home, kids! stuff, here. I was a very strong swimmer in those days and I thought I was gonna die by the time I was 25, to boot (for no good reason I can remember, now) ... AND I never tried to see how far out I could swim because I knew you could always swim a lot farther out than you'd ever be capable of swimming back. In fact, I had a very visceral sense of the ratio of difficulty of the swim back in. I always figured I had to be prepared to expend at least four times as much energy coming in as going out. If you fools go out there and drown, don't pin this on me! OK?

OK.

Monday, March 13, 2006

Yeah... sick of working...[instrumental]

I'm posting this short instrumental noodle as kind of a note from my doctor. It's not gonna fool anyone, but maybe it'll keep people off my back for a half day or so.



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Sunday, March 12, 2006

Caviar and champagne are fun but... [All I Need Is the Sun]

All I Need Is the Sun

A few moments in the sun.

What are they worth?

To a banker? To a bum?

I've known a lot of bums who claimed to have been somebody, once. And, for sure, some of them were just high. But after some living, I began to see that sometimes you need a little altitude before your fall to really get going. Gravity being the way it is, you just fall faster and faster the farther you fall. (Wind resistance notwithstanding -- and, hey, can't you see we're trying to be metaphorical, here?)

The guy in the song below used to be somebody once. That's who he is now. A guy who used to be somebody once. Or he thinks he was. And, really, that's what counts.

Now.

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All I Need Is the Sun

looking for my place in the sun
ah but everything is almost gone
a bottle in a bag and a bun
now all I need is the sun

caviar and champagne are fun
limos and callgirls, the run
but those cocaine days are done
now all I need is the sun



kingdoms and palaces galore
yachts and planes for sure
diamonds and oilfields and mines
yet I traded them all for this wine

caviar and champagne are fun...

I've spent a thousand times what you'll ever own
I had twenty people answerin' my phone
You-- you'd never get through... yet now
here I am drinkin' with you

caviar and champagne are fun
limos and callgirls the run
but those cocaine days are done
now all I need is the sun

1999-11-01
(C)1999, TK Major