Category Archives: blues

When the cocked .45 came out from behind the cop’s leg, honest to God, I found myself thinking — Damn, I know busking is illegal but geez…

A nice, peaceful sidewalk cafe
You almost read about this in the evening news instead of in this blog. This happened just about two hours ago…

When the cocked .45* came out from behind the cop’s leg, honest to God, I found myself thinking — in that slow-mo way — Damn, I know busking is illegal but I’m just sitting out here in my favorite sidewalk cafe, plunking on my guitar like I have hundreds of times, talking to a pal, drinking some coffee…

But when he brought the gun up the bead was on my friend.

“Take your hands out of your pockets very slowly,” he said, the .45 looking surprisingly big like they always do when you’re on the wrong end of one. (Hell, they look big from any angle, to me. But compared to the nines most of the cops around here have carried for years, this thing looked like a WWI Howitzer.

My friend slowly realized the cop was talking to him. He got this funny little smile on his face and, very, very slowly drew his hands out of the front pocket of his hoodie, which had its hood up over his head.

“Put your hands on top of your head very slowly — don’t make any sudden moves.”

I quickly figured that if I didn’t get hit by a through and through, I’d at the very least be wearing my friend. It didn’t seem like a happy way to close out the week.

My mind flashed back about ten minutes to ordering my coffee. The barista at the counter had taken a phone call as I put my two bucks across the counter, looked concerned, then got a big grin and said, “Oh, no. Don’t worry about that — he’s a customer. He’s a sheriff’s deputy and he just got off duty… really, everything’s OK.”

He clicked off the phone, laughing. “The burger joint across the street saw a guy with a gun outside — but it was a buddy of mine, a deputy just off some assignment and he was in some kind of plain clothes thing with a gun strapped on. He took off a few minutes ago.”

Having had a few guns pointed at me before (including a cocked .38 held right upside my head by another Long Beach officer back around ’79 — that was a traffic stop that netted me a $35 ticket) I had gone into physical slow motion as soon as I saw the gun — thinking in an oddly abstract way, Gee, I wonder why he’s got that thing cocked? — even though, oddly enough, it didn’t strike me as funny it was out of the holster.

[*UPDATE:I’ve been reminded that .45 automatics are typically carried cocked with the safety locked, so the fact that this weapon was cocked was actually not surprising but if the safety was dropped as well, then it was ready to go.]

Just about as I was going to very slowly start explaining what I imagined had happened, one of the baristas came out (no uniforms at this place but I think he was wearing an apron) and said, “Wait, everything’s okay. It was a sheriff’s deputy who was here a few minutes ago and the guys across the street didn’t know he was a cop. Really, these guys are regulars, they’re OK.”

The gun lowered,and he holstered it and grabbed his mobile, walked around the side of the building for a minute or two and came back. He hadn’t said anything to us but my pal lowered his hands after the cop went around the corner.

My friend — a guy who really has seen, if not everything, at least most of it, never broke a sweat.

As the cop came back around the building, he put his hands back up on top of his head and, with just a hint of sarcasm said, “Do you want me to leave my hands on top of my head?”

The cop, a guy much, much younger than either of us, looked faintly annoyed but was muttering about the “damn deputies” and something about their gang clothes and how the Sheriff starts them all out as COs in the (wildly overcrowded LA county jail) and they all come out from that duty thinking they’re gangsters.

“I really apologize, sir. Apparently a motorist saw the deputy with a gun and called it in. I wish those guys would…” and I didn’t really catch the rest, I don’t think it was meant to be heard.

My friend smiled and said, “No problems. Don’t sweat it.”

Life in the city.

There’s Always Trouble (in a Fool’s Paradise)

[re-run – 2005-10-24]

There’s always trouble
in a fool’s paradise
There’s always trouble
but the fool don’t realize

Trouble comes knocking
just when trouble wants
trouble knock down your front door
and take everything you got

There’s always trouble
but the fool don’t realize

there’s always trouble
in a fool’s paradise

There’s always suffering,
plenty to go around
but give it to some other guy,
on some other side of town

I don’t know my neighbors,
but they seem nice enough
and if the Insane Crips come and blow them away makes
it hard to maintain my bluff

There’s always trouble…

Trouble stay out of my backyard
I can pretend it don’t exist
sure enough I feel real bad
for that poor fool the trouble hits

but it really aint none of my affair
I fold the paper away
cause I sure enough know I don’t wanta read bout
the trouble headed thisa way

There’s always trouble…

Theres always turmoil
in the heart of Babylon
but you go where the gold is
and the rest just tag along

theres always casualties
in the race to stay alive
theres always casualties
but sometimes the strong survive

There’s always trouble…

1990-09-07
(C)1990, TK Major

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Exploiting emotional investment seminar

I'm gonna write a soap opera -- you're gonna be the heroine

 

Sure… you can try to cash out your relationship to the tabloids… but the money from that is here and gone like a found bindle of… someone else’s forgotten dreams.

No… to fully exploit your investment in a relationship you’ve gotta grow it. Now, we’re pretty much talking about mushrooms on a corpse, here, of course.

But circle of life and all that… media life.

This version of Soap Opera is a bit of a reinvention, musically. It’s still a blues but I recast it into a set of mostly harmonic minor progressions that give it a mock seriousness that amused me. I like to be amused, so here it is.

January 23 version
March 18 version

I’m Gonna Write a Soap Opera

I’m gonna write a soap opera
you’re gonna be the heroine
I’m gonna show the world just how ya think
I’m gonna write a soap opera
I won’t have to make up a thing
When we get the ratings back
you know I’ll take you out for a drink

I’ll get a famous model
to play your part for you
I was gonna ask you but you’re always busy
We’ll get a famous model
I know she’ll do real good, too
When the plot gets thick
She’ll be skinny enough to wriggle through

I’m gonna sell the rights
everywhere I can
there’ll be games and dolls and underwear
I’m gonna sell the rights
I suggest you buy up while you can
I said I’d make you famous
I think by now you understand

(C)1990, TK Major

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Ain’t nothin’ wrong with me, baby…

I drive around all night looking for nothing to do...

 

 

 

 

Ain’t nothin’ wrong with me.

I’m just a little… you know, moody. Anyone who has been following my modest efforts here will probably already have an implicit understanding of that.

Anyhow.

 

previous AYoS version (3 dec )


[full version on Soundclick | requires Flash]

Baby (I Just Got The Blues)

I drive around all night
looking for nothing to do
I play guitar til dawn
but every song’s about you
if I sleep I might dream
and we all know that dreams don’t come true

Ain’t nothin wrong with me baby
I just got the blues
Ain’t…

walked along the shore
wondering what a smart guy would do
in the Idiot’s Guide to Love
I must be listed in the back under “fool”
sure once I had some answers
now I’d settle for some lies that sound true

Ain’t nothin wrong with me baby
I just got the blues
Ain’t…

It’s easy for you sugar but then
everything’s easy for you
You know what you want
and you know how to make it come true
But, it’s hard for me, doll, to
bid all that we had adieu

Ain’t nothin wrong with me baby
I just got the blues
Ain’t nothin wrong with me baby
I just got the blues

(C)1998 TK Major

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I’m just listening to the plaster crack… [Blue Recollection]

Blue Recollection

I‘m not the first drunk to suggest that he drank not to forget but to not care. I found that the latter state was typically arrived at just before the former.

I also found that, if you were careful, you could get into that state early in the evening and stay in it until, oh, sometime… sometime when it just didn’t matter, anymore.

I found myself stymied by this song over the last few days. I’d recorded a version of it and started to put it up on the web… but as I listened to it, I realized it simply wasn’t up to the high standards of…

OK, no, seriously, even I couldn’t browbeat myself into putting that version up. The next day, as much because I’d written down the song title in a draft of the day’s AYoS blog entry, I found myself both compelled and unable to finish the song. And move on.

But the song defied me. Hell, it laughed in my face. Late each night I tried again to get an acceptable version. It became, you know, a thing.

I finally turned the song inside out and stripped out the familiar blues elements and repetitions.

I suppose I ought to have a periodic disclaimer that stipulates that I’m painfully aware of how far from pitch my singing typically is. I like to think of it as… uh… expressive.

previous:
Saturday, November 05, 2005

related:
Sunday, November 06, 2005
Friday, March 24, 2006

BLUE RECOLLECTION

Now the last thing I remember
You were walking out the door
My hand reached for the bottle
then there ain’t no more

you’re just a blue recollection
that ain’t nothin’ new
I been having trouble forgetting
to remember that I don’t still love you

I wake up at nite
but it ain’t because of you
I’m just listening to the plaster crack
and the clock tick in the next guy’s room

you’re just a blue recollection
that ain’t nothin’ new
I been having trouble forgetting
to remember that I don’t still love you

Now the last thing I remember
You were walking out the door
My hand reached for the bottle
then there ain’t no more…

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