Monthly Archives: October 2005

When You Look Through Me

When You Look Through Me

Not sure, really, why the lyrics of this 1994 tune came to me.

I wasn’t in a relationship at the time and I wasn’t thinking of any specific relationship from the past. Still, the situation talked to me. In a sullen, passive-aggressive way, of course.

Though it comes off here as a kind of mutant bossa, I initially conceived of the music as a European tango. I’m not a big fan of European tango, with its cliche rhythm and the cartoonish dance styles associated with it, but I thought that very baggage suited the style to the lyrics.

(I go on at length, because I am a big fan of the modern Argentine tango of Astor Piazzolla. I saw him in performance in 1987 at UCLA, and it was an amazingly deep musical evening. No cliches in Piazzola’s tango.)

 

When You Look Through Me

You ask me where I’ve been
I wonder what it matters
I wonder why you should care at all
I wonder what you see
when you look thru me
I feel like a ghost in my own home

Oh but weren’t the old days grand
our lives together like love letters in the sand
raise a glass to the past
but don’t look through
to a time when you loved me and I loved you

I go out walking
you stay home talking
those people on the phone know more about me than I do
I hear your laughter
I don’t hear what you say after
but I hear that I’m a joke in my home town

Oh but weren’t the old days grand
our lives together like love letters in the sand
raise a glass to the past
but don’t look through
to a time when you loved me and I loved you

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Sheena No Sheena (No Sheena No)

Get Down BabyThis song started with me dropping my head into my hands, addressing a friend who was not present but who was being talked about by a pair of caring but exasperated friends, saying, “Sheena… noSheena.”

You probably get the drift.

But no vexation is so troubling — or irritating — that it can’t be turned into art. Well, maybe not art, exactly, in this case. But something trapped in the no man’s land between edification and amusement, yet somehow probably failing both.

Sheena eventually quit her wild ways, grew up, settled down, and, last time I checked was a happy suburban soccer mom.

She was lucky.

 

Sheena No Sheena (No Sheena No)

Sheena was a spy
for the FBI
her contact never showed
and she never wondered why

but the saucer people came
and the hours just disappeared
the dreams began again
and the eyes behind the mirrors

Sheena no Sheena
no Sheena no

the house began to talk
and the giant spiders came
she went out for a walk
she was gone for seven days

Sheena no Sheena
no Sheena no

in the morning she was fine
her eyes were bright and clear
I’ve got two left she cooed to me
and dropped one in her beer

Sheena no Sheena
no Sheena no

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Paperback

Get Down BabyThere was one thing on my mind when I wrote this song.

I wanted to get in the line, “Get down, baby, get out tonight” — in something that couldn’t be mistaken for a party song.

And I think I nailed that aspect. No one will party to this song and if they do, well, I’m not responsible.

I was thinking about this song after the fact and realized that it fits nicely into my plans to re-invent myself as a bitter old has been. As opposed, you know, to a bitter old never was. It’s probably a minor distinction to most folks, I suppose, but I think my brothers and sisters in the music biz will appreciate it. At any rate, I have a song, Tell All the Kids, that’s specifically about my fall from grace. Or the fall from grace I never had. But, anyhow, that ain’t this song.

So, as this song spilled out not quite a decade ago, I realized I was telling its story from the point of view of some imaginary, long-suffering rockstar, addressing, for what he evidently hopes is the last time, his histrionic, soon-to-be-ex-girlfriend as she pursues a theatrically anguished voguing session attop the retaining wall of his penthouse terrace.

Get down, baby.

AYoS acoustic version:


produced version:

 

Paperback
AKA Get Down Baby (Get Out Tonight)

Everywhere it sez you love me
but ya never read the truth
’cause when I look into your eyes
I can see who’s getting screwed

Get down, baby. Get packed,
get out tonight.
You’re gone, baby,
that’s right you heard me right.


A secret’s not a secret
unless it has been told
our private life’s not really ours
until all the rights are sold.

Get down, baby…


you will get some mileage
from that small town trollop trip
but the journey’s strictly one way, babe
and heavenward ain’t it

Get down, baby…

history will tell us
all about the truth
until that time I’ll do fine
your quickie paperback will do

Get down, baby…
get packed, get out tonight
you’re gone
baby
that’s right
you heard me right

3/10/96

(C) 2005, TK Major

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There Ain’t No Heart in My Heart Anymore

Ain't No Heart in My Heart No More

Sometimes, back in the days of my fitful career as punkrocker-turned-folkie, I used to tag myself as the Bard of Bitterness, Denial, and Regret.

My ol’ man used to always say, If you’ve got a lemon tree, make lemonade.

[This was written on a stormy Saturday in Mexico I wrote about in the first week of the AYoS project, in my post for the song, Looking for Trouble. It was the second of three songs I wrote that day. I subsequently posted the third, Not One of Those Dreams.]

 

There Ain’t No Heart in My Heart Anymore

There ain’t no heart
in my heart no more
I don’t know where it’s gone
but it’s gone for sure
Maybe it went with you
when you went out that door
but there ain’t no heart
in my heart anyore

I feel like giving up and maybe I should
I cant go on and I know it’s no good
There aint no meaning
in life any more
no there aint no heart
in my heart anymore

The end just means
we begin again
where did you say I signed
I’ve lived this life
one two many times
I don’t think I can take it twice

Too many loves
too many lies
too many broken lives

too much night
too little love and way too little love
and nothing to show for a life

refrain
There ain’t no heart
in my heart no more
I don’t know where it’s gone
but it’s gone for sure
Maybe it went with you
when you went out that door
but there ain’t no heart
in my heart anymore

(C) 1981,1989,2005 TK Major

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