Tag Archives: lyin’

His or Mine

Cheatin’… it ain’t always pretty.

Bad enough if it’s with some jet set pretty boy or sweet talkin’, movie star-handsome lothario with a two thousand dollar suit and a low slung sports car.

But when it’s an overweight pool guy or the middle-aged, balding fellow the mini-blind store sent out to measure the windows… well… it’s enough to send you back to the pre-nup with a magnifying glass and a legal dictionary.

About today’s version: I was feelin’ a little frisky when I cut this. It’s more than a bit of a mess but… well… I think by now we all know that tight and clean is not what AYoS is all about. The guitar and vocal on the left was the original track, I added another guitar, switching to a slide part way through, realized the original vocal was even more buried, decided to chip in another vocal track, and decided some of my patented, arhythmic percussion work would be the cherry on top of this hot fudge mishegaas.

His or Mine

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previous versions
Thursday, October 06, 2005
Tuesday, April 04, 2006

lyrics
His or Mine

how come you love me
how come you hate me
how come you just won’t leave me a alone
did you ever have the notion
you ain’t gotta monopoply on emotion
honey can’t you tell my pain is real

honey come here put your hand on my heart
there’s a world of feelings trapped inside
look in my eyes
and tell me once and for all
honey make your mind up
are you his or mine

how come you love me
how come you hate me
how come I can’t tell them apart
where was your conscience
when your mind told my body
to make sure that your soul
had my heart

honey come here put your hand on my heart
there’s a world of feelings trapped inside
look in my eyes
and tell me once and for all
honey make your mind up
are you his or mine
(C)2007, TK Major

Baby Said

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Baby Said

Baby was the ultimate be-careful-what-you-wish-for present. A pretty little Pandora’s gift box of trouble that any red blooded young man would be delighted to find lying under the Christmas tree.

Requiring more maintenance than a fleet of Jaguars, Baby could accelerate from zero to absolutely insane in 6 seconds flat, swinging in dizzying arcs between coyly demure and wide-eyed man-eater, from maudlin sentimentality to steely disdain to weeping, soul-melting anguish. And back again.

Best left to connoisseurs and aficionadi…

A note on these recordings…

I’ve included both a (more or less) straight folk version as well as a (hopefully) funky (but still quite acoustic) version. You can also hear the ‘studio’ version on my one blue nine soundclick page. The one blue nine version is, I think, kind of droll. The basic mix has been kicking around for a few years and was DL’d thousands of times at the old mp3.com (where it made the ‘hard house’ top 10). Earlier this year, I came up with an acapella harmony intro that’s good for a chuckle or two, I think. I wish I could tell you I was a natural whiz at harmonizing with myself, but technology played a big roll in the new intro.

BTW… the inclusion of two AYoS versions today puts us even after the Holiday Clip Show. I’m now back on mission. A song per day. I won’t try to slack off again. Clip show… what was I thinking?

folk version:

acoustic funk version:

[full club style version on Soundclick (2000) | requires Flash]

Baby Said

baby said she’d love me
she’d always stand beside me
baby lied . . . but that’s all right
baby said forever
baby said never say goodbye
she left that night

baby said a lot of things a
fool wouldn’t buy
she got caught a thousand times
I sorta let it slide
baby said she loved me
I think she thought she did
baby said a lot of things
she was such a crazy kid

baby said honey
you ain’t got no money
I like that so
my old man’s made of loot
and it don’t buy no truth
and Baby knows

baby said a lot of things
it was such a crazy time
Baby said remember
cause I’ll see you when you die
baby said its over
over and over again
baby said forever and then we
just begin again

baby said save me
sometimes I think I’m crazy
She’d say anything–even the truth
But once you surrendered
it really was forever and
there wouldn’t be nothing anyone could ever do

Who’ll Stop Lorraine

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I wasn’t so sure this song would ever see the public light of day. First of all, it’s premised around an especially silly pun (which I’m hoping I needn’t explain). Second, until I added a new verse last night as I was recording it, I was afraid it would come off as a dark and threatening sort of thing. I was imagining having to put up another “This is not a murder ballad” kind of disclaimer…

Happily, I came up with a way to end the song that makes it whole… that actually gives it some much needed resolution. An ending that hopefully means I won’t be accused of fostering violence against anyone.

In fact, I was still writing the song as I recorded this very version. At the last moment I found myself doing the chorus and realizing I had to change it, somehow, to reflect that resolution. And even casual listeners will surely hear the hesitation as I delivered the new lines off the top of my head.

Rather than re-record the track, I decided to share that moment of creation with you, my trusted and loyal reader. Also, it was late and I was tired and… after all, this is A Year of Songs… it’s not about perfection. Or even competence.

It’s about keeping going…

Who’ll Stop Lorraine?

I’ve known Lorraine since we were kids
and I’ve always been amazed
Every time she went too damn far I thought
Who’ll stop Lorraine?

I saw her hunt down Billy Jim
he was doomed from that first day
I saw her rip his heart in two and thought,
Who’ll stop Lorraine?

From the hotel bar to the airport lounge
Everyone knows her name
Over and over I ask myself,
Who’ll Stop Lorraine?

Finally one day I’d had enough
I sat her down looked her in the eye
Lorraine I love you, girl, but straighten up,
’cause, Lorraine, you’re wreckin’ people’s lives

From the hotel bar to the airport lounge
Everyone knows your name
Over and over they ask themselves,
Who’ll Stop Lorraine?

I never thought Id see a tear in her eye
I never thought I’d see into her soul
but since that day she’s come so far
and God I’ve come to love her so

From the hotel bar to the airport lounge
Everyone knows her name
Over and over they ask themselves,
Whatever became of Lorraine?

PS… I also have one from 1994 (that I just now rediscovered — I doubt I’ve read it since I wrote it) called “When Lorraine Comes”… I strongly suspect that one won’t make it into AYoS. (Sample lyrics: “When Lorraine comes / she coughs and shakes her head / she hardly moves in bed / she might as well be dead /When Lorraine comes…” I think you get the drift.)