Category Archives: commentary

19 Days

19 Days

 

This is not a murder ballad.

It’s a song about a long-haul trucker coming to the realization that his marriage is over. He thinks about it when he drives. He thinks about it when he lies awake in the sleeper in the back of the cab. And he prays about it in a little church on the way home. Simple, hunh?

That’s what I thought.

But I had to stop performing it because people kept coming up afterwards and saying, “Man that’s dark. It’s so seething and brink-of-violence. So, how does he kill her?”

And… as I read the lyrics now, they may be vague but, yeah, depending on how you read them, they could also be a bit ominous. But, really, what I had in mind was a guy simply breaking out of that thrall of indecision… just before you finally give up on someone you were positive would change your world. Not that, you know, I was ever such a sap. But people have been…

Ever think of all the great songs that started with the phrase “wake up”?

Yeah… well, I just checked, and, as of today, four of the songs so far (out of 71 songs since September 22) from A Year of Songs have the words “wake up” in the first 3 words of the song — and one more has “woke up.”

Don’t ask me why. If I had to guess, I’d say I was subconsciously on a quest to come up with a line with the classic elegance of “Woke up this morning / got myself a beer” (Jim Morrison) — which, I’ve always felt, pretty much sez it all.

19 Days

Wake up pretty baby tell me what the
hell is going on … I been
on the road for 19 days
and you act like I ain’t been gone

I been thinkin’ ’bout the days
when we thought our love was true
[but] I been thinking my forever
might be better off without you

Driving 16 hours a day
gives you lots of time to think
I been thinking bout a lot of things
that could drive ya to the brink

I been thinkin’ ’bout the days…

the truck stop sign is flashing
through the window of the cab
I wake up sweating
from that same old dream I have

I been dreamin’ ’bout the days…

the little church was quiet
on a Tuesday afternoon
I sat and thought about us
until I knew what I had to do

(C)1998, TK Major

Share

Drunk in Algiers

Drunk in Algiers
 

This was written when I was playing in punk bands and reflects the series of investigations into the JFK assassination and various government conspiracies that took place in Congress in the late 70s in the wake of Watergate and the Nixon implosion.

When I was a kid, I stayed up late with my dad one night to watch the early 30’s Mummy. When it came to the part where the workers burying the pharoah (or whoever the heck he was supposed to be) were slain with spears — and then the spearsmen were themselves slain with spears, all to keep the burial place secret,I thought, damn, that’s cold.

In this song, I imagined the protagonist as the last surviving triggerman in the JFK hit, living out his days drunk in Algiers, waiting for the inevitable day when some mysterious strangers would burst through the door, guns blazing.

The guitar accompaniment on this version was improvised on the spot, since I had no real recollection of the chords I used to use. As always, I recorded the rhythm guitar and vocal in one pass and, as I often do, I then went back and overdubbed a lead guitar.

DRUNK IN ALGIERS

I was on team one
and I’m not saying that I’m scared
but the rest are dead
and it’s probably just a matter of time

they know where I am

one of these days a stranger
walks into this little dive
and bang
no witness left a live
one of these days they’re gonna cowboy me

one day late indian summer
standing on a grassy knoll
just a little squeeze of my trigger finger
changed the history of the world

shoved my AR 14 up inside my overcoat
me and my time man shimmied down the manhole
made our way through the Dallas sewers
team one changed the history of the world

(C)1979, TK Major

Share

San Bernardino Rose

XXXXX
 

 

Forget walking along the River Seine at twilight.

There’s something about eating french fries in your truck in the moonlight at a San Berdoo truckstop, your beautiful, passionate, and barely legal girlfriend at your side, a little smudge of ketchup on her cheek, begging you to reach out…

San Bernardino Rose

San Bernardino Rose
I am so alone
and there’s so many bad things
Bad things I have done

I know that you’re barely a woman yet
hope you’d come to understand
San Bernardino Rose
I want to love you
I need to be your man

Truck stop French Fries
Catchup on your cheek in the pale moonlight
I hold you you kiss me
I know it’s wrong when it feels this right

I know that you’re barely a woman yet
I’d hope you’d come to understand
San Bernardino Rose
I want to love you
I need to be your man

(C)1990, TK Major

Share

Carrot

Carrot

There was a time, in that lost era of my early manhood, when I judged life to be essentially a balancing act between work (writing and music) and love — or, more properly, romance.

In an earlier post, I wrote about the beautiful Icelandic girl who was, briefly, a muse, mentor, and colleague in the painfully difficult reinvention of myself from poet to songwriter. (Far more painful, without doubt, for those around me.)

This song was the first of my early songs to win largely favorable comment from my friend and it was the first time I ever felt what I’d later realize was a form of professional pride (which does, indeed, I would later learn, often go before a nasty, if occasionally comic, pratfall).

To be frank… it was probably one of the first of my songs to have recognizably repeating sections and some sort of coherent structure. My earliest work leaned hard toward the fever-dream stream-of-nonsense school — with literary, metaphysical, and scriptural references thrown in to spice up the already indigestible gumbo.

In fact, this song refers to that phase in my life (talking to girls all night and playing long rambling songs til dawn… it was a phase I had a hard time growing past). My artistic ambivalence and deep-seated alienation may have seemed like shtick — sometimes they even did to me — but in the long run it became obvious that they were all too real and, at the risk of being overly self-revelatory, I think it’s safe to say that that reality permeates my creative work.

Ya think?


Carrot

(In the Course of Events)

In the course of events
I’ve seen my goals hanging just like a carrot in front of my nose
In the struggle for those higher attainments, hell,
I’ve been to the top
and I’ve seen the drop on the other side

And I don’t care if your money’s no good
I don’t care if both your legs are wood
I don’t care what your ma says to do
Just come away with me

It takes time to get where you want to go
and its never quite the same when you get there
but that doesn’t stop me cause there’s still a couple things
I’d like to try with you and you never can tell
it might work out all right

You can sit and talk about life all day
as much as you can talk your questions wont go away
it’s a conversation that leads me to say
just come away with me

I’ve been burned before
and I’ll get burned again
I guess that’s the same for everyone
I know what I need
I know what I want
I know what I get —
they don’t always correspond

You can sit and talk about life all day
as much as you can talk your questions wont go away
it’s a conversation that leads me to say
just come away with me

(C)1974 TK Major

Share